FolioHer Edit
Funmilayo Adebomi Is Building the Life She Wants
A creative director and UGC creator finding possibility in curiosity, ambition and the freedom to try.

Funmilayo Adebomi is interested in possibility.
It shows up in the way she approaches creativity, in the ideas she brings to other people and in her willingness to try things simply because she can. She describes herself as a woman trying to find her place in the world, but there is little passivity in the way she is doing it. She is building, experimenting, creating and looking for new ways to grow.
As the Creative Director of Mafio Creativille and a UGC creator, Funmilayo has found a professional home in that curiosity. She enjoys coming up with ideas, particularly when she can see potential in someone or something and help bring more of it to the surface. That instinct to look for what something could become has also shaped how she thinks about herself.
Right now, she is building her personal brand alongside her business, exploring how the two can grow together while becoming better at her craft. She sees her personal brand as more than visibility. It is part of the business she is building and, ultimately, part of a larger ambition to create multiple sources of income and a life defined by abundance.
That ambition is deeply personal.
Funmilayo knows what it means to live in “wanting.” Growing up, she saw the effect financial limitations could have on her family, and the experience stayed with her. Today, the desire to build a successful business is connected to something larger than professional achievement. She wants to create a different kind of future for herself and her family, one where abundance is not temporary.
There is also a particular urgency to the way she approaches life.
As a child, Funmilayo lived beside a Catholic burial ground. From around the age of seven or eight, she watched funerals take place almost every Saturday. Death became something she encountered early, rather than something distant that belonged only to adulthood.
It shaped her understanding of time.
For Funmilayo, knowing that life is finite became a reason to live more fully rather than waiting for the perfect conditions to be happy. It taught her to love more, hold on to less resentment and make use of the freedom she has to experience life.
That philosophy is visible in her willingness to try new things. She wants to live, not simply prepare to live.
Perhaps some of that expansive thinking began even earlier, through her father. His knowledge of the world, shaped by the books he read and the conversations he had with his children, gave Funmilayo a sense of possibility that extended far beyond her immediate surroundings.
While other children were dreaming about the world, she says, her own dreams felt as big as the entire universe.
It is a fitting description of someone who has never been particularly interested in staying within one definition of herself.
Five years ago, however, her immediate concern was much simpler. She had just left a toxic 9-to-5 job that paid her ₦40,000, and getting another job was all she wanted.
Today, her definition of success has changed considerably.
She wants to build her business as far as it can go while having a happy family alongside it. The ambition is still there, but the picture is fuller. Success is no longer simply about finding the next job or earning the next income. It is about creating a life she actually wants to inhabit.
And as she grows, she is learning that building that life also requires knowing what not to carry.
Funmilayo is becoming more conscious of her tendency to want to please everyone and be available to everyone at once. She is learning to believe in herself enough to understand that she cannot give every person everything and still have enough of herself left to build what she wants.
That self-belief is particularly important in a creative career where trust often has to be earned through the work itself.
She speaks of the grace she carries: in the way she communicates, in her ideas and in her intelligence. Those qualities have become an important part of how she approaches her work, allowing her skills to speak for her beyond appearance.
Her parents have given her an early example of what it means to use those abilities in service of other people. Her father wrote a book at 17. Her mother is a teacher. Both, she says, have left positive marks on young people’s lives, and that influence has stayed with her.
She understands that you may never know exactly what your attention or encouragement means to someone at the time you give it. It is a perspective that extends beyond her professional ambitions. Funmilayo wants to create, but she also wants to contribute something that remains with people.
For now, she is protecting the part of herself that makes all of that possible: her joy.
In a world that can easily become overwhelming, particularly in Nigeria, she has learned to hold on to the things that keep her sane. Singing. Dancing. Playing. Doing the things that remind her that life is meant to be experienced, not simply endured.
She is becoming more comfortable with choosing those things without apology.
There are still old habits she is leaving behind, and there is still plenty she hopes to build. But the direction is clear. She wants the best life she can create, with her family and friends in it, while continuing to grow into the person she knows she can become.
Her philosophy is uncomplicated: “Just do it.”
Not because every attempt will work, but because waiting for the perfect moment can become its own kind of limitation.
So she keeps trying. She keeps creating. She keeps looking for the next opportunity and the next version of what is possible.
And to the woman who may be standing where she once stood, her message is just as direct: trust yourself, release what is keeping you from growing and keep moving.
You’ve got this.
